Archive for the ‘Uncategorized’ Category
Ebola Shmola—think brighter with Matisse and Zimmerman
With darkness falling on almost every aspect of our news’ lives these days, it’s not irreverant to experience some joyful moments to reset the imbalance.
Matisse: The Cut-Outs at MOMA is a glorious and uplifting demonstration of the power of color and genius. In trying to satisfy the problem of line and color which had haunted Matisse his whole life, he devised the cut-outs with painted paper and scissors. The technique provides a whole new view of shape and form, moving from small compositions to room sized pieces like The Swimming Pool. This piece which hung in his house in France has been meticulously transported to MOMA’s walls and is an ethereal demonstration of the great man’s imaginative skills.
The war was raging when he created much of this work and there is a dark underpinning to the bright colors, like in the piece with the elephant performing clown-like, who dreams of his real home in the jungle. Light and dark, travelling side by side.
The show was a sell out at the TATE in London and will lift spirits here until February 8, 2015. Congratulations to Jodi Hauptman, Senior Curator and Karl Buchber, Senior Conservator for this very special show.
I never saw Claudia Shearer’s one woman Blown Sideways through Life but feel lucky to have caught Brad Zimmerman’s excursion into his career in My Son The Waiter: A Jewish Tragedy. This very funny man has endured nagging parents; nagging customers at the restaurant work that supported him, and own nagging consciousness that he might never be good enough to hang up his waiter’s vest. Well, Mr. Zimmerman, you are! In the intimate setting of the Triad theatre, Brad lets us into the glories of his childhood, fabulous compared to most of his adult life’s struggles, with jokes and stories that are fresh, and very real.
For anyone who’s ever worked menial jobs to support their real dream, Mr. Zimmerman is your voice. Also, if you’ve been a customer wondering why the hell your server knows nothing about wine, you’ll love this, too. Having only recently been freed from a job at Chat and Chew, Brad wears his slave scars with a mixture of mirth and resignation. After all, he’s performing for a live audience now, but tomorrow, who knows? Back serving fries.
Years of real training can only explain his terrific Scottish accent and his honed his comedic craft. He’s so good, that even George Carlin was impressed. . I could recall some of his jokes, but I hate to be a spoiler. Let’s just say if you find eating habits, parental guilt, dating, baldness, airline pilots, kabbalah, furniture sales and dreams, potentially funny, you’ll laugh your tookas off at this show.
Written and directed by Zimmerman, produced by Dana Matthow and Philip Roger Roy’s Playhouse Productions, Inc., “My Son the Waiter” takes up residence at Stage 72 – Triad Theatre, 158 West 72nd Street, for a limited 12-week run through Wednesday December 31.
Side Effects of The Troubles: The McGowan Trilogy
The Cell theatre on West 23rd is truly an invention. What the production teams do with this sliver of a building is always a surprise, moving chairs to suit the staging, having actors exit on what was part of the original staircase, and creating top notch video projections to enlarge the vision. With Founding Artistic Director Nancy Manocherian and Director Kira Simring, everything is well thought out, and usually accompanies work that is something of a political investigation.
When Act One of McGowan Trilogy began, I realized I had seen it before. A few years back it was produced along with a play by Larry Kirwan. I remember believing that production better than the present Act One of this show. Perhaps the shock value of the situation was lost for me having seen it before. We find ourselves in a private IRA drinking club, when an obnoxious interloper demands to be let in through the locked gate. Madman killer Victor McGowan, a young genius of an IRA hit man, seemed more authentic in the original show. Paul Nugent as the psychopathic thug, though highly competent, seemed to be directed to be hopped up on cocaine, more fitting for a Tarantino movie than as a member of the revolution. He was such a campy hothead, that I wondered why he was permitted to have so much power in the group. Surely, someone would have put the reins on him before the moment that’s presented. And Pendar, the elder statesmen, loses his superiority in the situation much too quickly. He’s referred to as being over the hill, but as played by Philip Callen, looked young enough to give back as good as he got. Matt Golden as the traitor was so quietly true that the other acting styles seemed at odds with his.
Still, the truth that violence leads to more violence is well illustrated. This club with its paranoia could be ISIS or Boko Haram. No matter how committed to the cause, players eventually lose trust in it and each other.
The playwright Seamus Scanlon does his best to temper the violence with dark humor that sometimes hits home, like the Titanic joke, but some re-thinking might help with others not as funny. In Act Two, our same thug now has to off an ex-sweetie. At first it’s unclear whether he’s liberating her in the forest but we soon discover that he considers her a traitor. McGowan is so less peppered in this scene that I imagined he had been getting therapy in the intermittent months. I didn’t fully buy their history of missed loved, but Anna Nugent‘s fear of not being discovered in The Long Wet Grass is one of the most poetic parts of the play.
Act three deals with McGowan’s face off with his mom nicely played by Cindy Boyle. The video projections and sound design are terrific.
This being the month of peace vigils across the globe, like so much of The Cell’s excellent work, The McGowan Trilogy has timeliness on its side as well as a call for redemption.
The play runs through to October 5th.
Peace Train Comin’
While waiting for my physical therapy appointment at the Rusk Institute, I found myself eavesdropping on a lady speaking rather passionately into her cell. I really listened hard when , when I heard her mention John Lennon. Given that I’m working on a film about the same, I waited until she was finished before jumping up to query her. Of course, Lennon was mentioned along with the song Imagine… Rev. Susana Bastarrica, the founder and organizer of the Annual Vigil for International Peace and Ecology, a peace event held every year at the band shell in Central Park was busy on the phone setting up the event. This year is the 13th Vigil and it’s coming up on Sunday, along with the March for the Environment.
Susana, warm and spirited has worked at the United Nations. She told me that in 2001, the United Nations unanimously passed a resolution designating September 21st of each year as an “International Day of Peace.” The intention of this resolution is to have the entire world observe a full day of “global ceasefire and nonviolence.” Being on the peace train many years myself, Susana invited me to come to along to meetings. Although my schedule didn’t permit me to immerse myself in the group, it didn’t take long to realize that their commitment to make this year’s Vigil is immense. The core group consists of people from a myriad of countries, some only recently moved to the U.S. Everyone is about peace…be they be holistic workers or record producers
The Vigil offers up an opportunity for people to think about peace as a true possibility. When groups come together be they over me ala John Lennon, or peace, the energy is that much more powerful. The idea is to promulgate peace through music, art, poetry, dance and prayer. When you activate the higher chakras through the muses, anything is possible.
This year’s Vigil is triple loaded… here is a short list of some of the participants: Peter Yarrow, Spook Handy, Karen Hoyos (Karen Hoyos International), IMOV (Imov International), Soul Dogs-Love Wins, We, The World, Peace Flag Ceremony, Danny Garcia, World Peace Violin, Technicolor Lenses, Tom “Lennon” Raider, Inma Heredia, Roland Mousaa, Pocodust Colors, Left Banke, Claudine Mukamabano, Lu Dragon, Danny Darrow, Angelo Romano & Art Kartel, GEMMA, and Mana, Cecilia St. King,
Susana anticipates this to be the biggest vigil for International PEACE and ECOLOGY ever. On Sept 21 there will be global synchronized meditations taking place all around the world, with organizations like Peace One Day and climate events.
The Vigil team asks everyone to join and bring friends and family to this free event. They invite you come and share the spirit and dreams of Peace with people from all over the planet.
In a climate of increasing conflict with global horrors offered up on a daily basis, surely this day is an antidote for all that…and perhaps, just perhaps it will be much more. Perhaps, this is good medicine, not a placebo, but the real deal. If enough of us can stir, wake up and say NO, we don’t want that…but YES, we want peace and a balanced environment … if we say YES loud enough, together, and sing it out…most assuredly the gods and goddesses will finally hear.
Join at the Central Park Naumburg Bandshell, near Bethesda Fountain…Sunday 10 am to 5pm
www.vigil4internationalpeace.org
Let’s Hear it for the Irish– Man in the Moon
Man in the Moon
The Irish deserve their reputation for being the greatest storytellers. And an actor who spits is usually very, very good.
From what could have been a simpering complaint tale about the growth of suicides in his hometown, Pearse Elliott has created a wonderfully layered picture of one man’s life on the council estates of Belfast and the demons and angels that fill his imaginative head.
As played by the most amazing, Ciaran Nolan as Sean Doran , we are on a trip — travelling through smelly bogs, to a day in the life of a roaring lion and his pride to a movie premiere with Brad Pitt—all of this in only an hour and fifteen. This one man’s show produced by the fantastic Brassneck Theatre Company and directed by Tony Devlin, swept them away in Edinburgh and will do the same for you if you can get over the thought that you might not understand the accent.
Mr. Nolan is such a gifted performer that even the colloquialism don’t concern you because his energy and physicality convey everything you need to know to understand this guy whose lost so many pals to suicide. His self-effacing portrayal of the loser of course belies the power of the true survivor…the one whose left to tell the story. And boy is he funny. He has all the moves – from a wee bit of a lost soul named Hatchet who survived the ‘troubles, to an itchy guy who dispatches bad tips on the horses, to a young gay kid from pampered Boulder.. When he attends the wrong wake for a different Soupy Campbell than the one he thought had suicided and turns into Elvis, you think “ shit, I hope he comes to my funeral.”
This is Belfast…this is today…with all the sense of loss that a perpetually poetic country can offer. There is something really noble about having terrible experiences with love and jobs; you build if not character, an absurdist view that this author has in pounds.
If I have one bone to pick, it’s the tie in of all the suicides…I wanted to understand that they were economic based with a dash of war wounds. But when he throws in a Gazelle…a jogger from the upper classes who takes his fancy and who also perishes by her own hand, I am set adrift. Obviously, people don’t off themselves just because of a laundry list and rich people are miserable as well as poor. But something about the landscape Mr. Elliot created in the top of the play felt right for keeping it in the realm of the caste system… in this case, council estates.
But that’s a small criticism for an otherwise wonderful production. Mr. Elliot is a feminist whether he knows it or not and yet the story of the online monster who shows up at the Sean’s door, is as awful as any man on the prowl but as played by multi-accented Mr. Nolan, much, much funnier.
All involved have wonderful credits. Go to the show, read the playbill. Or just take my word. This is a beautiful piece of art.
Sorry, Joan, the Script didn’t get there in Time!
darling waiting outside Temple Emanual
Darling waiting at back door of Temple Emanual
Forget doctors — forget lawyers. How many lives could have been saved if only my screenplay had gotten into the right hands in a timely fashion?
A fellow writer and I were discussing our feelings of personal responsibility in light of the recent deaths of so many beloved performers. Is it insanity, hubris or wisdom to actually believe that the work we created with star players in mind might actually have altered their lives…. if we had only known how to get to them? Obviously our own stalled careers might have shifted, but when you put your heart and soul into projects that really seem destined for a particular actor, isn’t that a powerful calling?
I loved Joan Rivers and after seeing the Joan Rivers..A Piece of Work, I loved her even more. In the documentary she complained about not being offered substantial film roles, so I bit. I took the character of Brooklyn bagel mogul Morris Levy from McLevy’s Ghost and rearranged the hormones… Ed Asner had suggested a strong interest in playing the role, but the film hadn’t moved forward despite his great talents. Now with a tough talking Rivers as the conflicted capitalist who moves to Scotland to expand bagels and live in her own castle, it was a shoe in. A Lairdess with no lard! But how to get to her?
Eventually, a friend knew someone who knew someone and so forth and I sent the script out. Somewhere in transit, the reader didn’t feel it was right for Ms. Rivers and passed. So me and the rest of the deprived world never got to see how deftly she could have added her comic charms to this Highland romp? What a shame… the blonde mouth leading a dance of Hava Nagila with the Druids… perhaps she could have been filming in Perthshire this very Autumn,dealing with good Scottish medicine or not even needing a doctor because she was being creatively satisfied.
I went through a similar obsession with Heath Ledger for the very same project. As anthropologist Andrew McTavish, posing as a valet for reasons only he and the audience would know, Mr. Ledger could have used his knack with accents and physicality to great joy for him and us. And who could do copious amounts of drugs while working on a film set?
My therapist would call this guilt another delusion but I see it as something else…T.T.P.V. –thwarted theatrical psychic vision. It is so much more than wish fulfillment. A writer spends years with a character and if not drawn from real life, is imagined with someone from the world, someone who could breathe life onto the page.
Show biz cynics would reject this theory out of hand and talk only box- office. I say fye on that! The writer is Dr. Frankenstein, giving new life to old bones…and when the fusion works, it’s alchemy. A popular actor who doesn’t fit the skin of the character might not be successful. But a role that fits like a glove or even a mitten… then at least you’ve got a good synthesis of type and character.
My writer friend spent years trying to get work to Richard Pryor. Someone else I share groupons with tried to place the perfect song with the perfrect voice… but the plane went down just when the connection was about to happen. It’s reverse kismet.
Now, sadly it’s too late for me to work with Ms. Rivers, Mr. Ledger, Philip Seymour Hoffman or Mr. Williams about a small play idea. But Scotland is hot what with elections and such so please, Hugh Jackman, Alec Baldwin (Levy made younger, Al, don’t worry), David Nighy and Judy Dench…. Hurry the hell up. This project just might be a life saver.
Mixing it UP at the Metropolitan Room
Cabaret performance is so intimate. The audience is practically nose to nose with the singer. There are no fuzzy barriers between you and who they are and what they deliver. The lights come up and it could be so easy to start judging…from the rhinestone to the Botox to the tattoos…the visual is the first line of acceptance. But once you’re past the superficial critiques we’ve all been trained to throw out since film and TV lighting have given us a more illusionary view of performers, it’s just what they sing and how they put across a song that counts. That’s why cabaret is so great…to experience a myriad of ways to interpret music.
The great hold out in a town where so many cabaret joints have shut down, The Metropolitan Club preps for its fall season by offering tastings of what’s to come. If you like a performer, you can come to their shows later in the month. At Wednesday night’s show, produced by Joseph Macchia and Bernie Furshpan, the audience had quite a buffet to choose from.
Raven O has an alluring voice but would have benefitted from less personal material. He was singing a love song to his husband, a nice gesture, but one that didn’t come off, because the song was lost in the over dramatic emotion.
Dorothy Bishop, of the big blonde genre, can really sing, though her first number with a puppet was too busy. She nailed it though when she sang duet as Barbra Streisand to a ‘Skype video’ of Judy Garland in heaven. Doing both parts, this sort of puppetry is both novel and hysterical, especially when Judy keeps falling off her stool, as the ‘live’ Barbra carries on as if nothing is wrong. She is a wonderful comedienne… her Dozen Diva Show should be terrific
Broadway star Shelly Burch of Nine, shares her early audition tales including being too tale for everyone but Tommy Tune. She has a beautiful voice and sang a song by her husband Annie lyricist, Martin Charnin who will be directing her at the Metropolitan in “Incurably Romantic.”
Gorgeous redhead Maxine Linehan who has played Nancy in Oliver will be performing her show ‘Beautiful Songs’ for the first time at this venue. She is an authentically charming actress, with a rich powerful voice and has chosen material that sticks in the unconscious.
Devin Bing, adorable and at 29 could has the energy of Harry Connick, Jr., a bit of the vocal quality of Justin Timberlake. He and his drummer really shook things up with their jazzed up standards. His Miles Davis trumpet, simply made with his mouth was freakily good, though I’d much rather hear him just sing and play that crazy piano.
T.Oliver Reid, sang a number of his show “Drop Me Off in Harlem’’ and I can’t wait to see the whole evening as he club hops with us to the music of Arlen, Ellington and more. 1934 uptown comes downtown and he is a great time travelling host.
The final singer for the evening Luba Mason is a force of nature. From the moment she hits the stage, you feel the pulse…hers and yours. Her debut was in The Will Roger’s Follies and for the Metropolitan she brings a small band to back up her powerful chops. She goes deep and we want to dive with her.
I would not hesitate to spend an evening with any of these performers. It’s upfront, personal and one of the best theatrical pleasures going.
Swiss in New York Yah
Dieter Meier, known as the Godfather of techno pop along with collaborator Boris Blank, kept Le Poisson Rouge jumping Sunday night, though the uber polite Swiss obeyed the New York cabaret laws and didn’t dance. Dieter’s new project “Out of Chaos” starts with madness…the wailing violin, video images bouncing off the back screens aided by the alchemical zap of electro punk pioneer T.Raumschmiere.
Meier, strolling out in a red velvet jacket and shades, looked like he could play the regal vampire Tom Hiddleston’s uncle in Jim Jarmush’s Only Lovers Left Alive. Dieter Meier, the legendary voice behind the Swiss electronic pop pioneers Yello, renowned for the ’80s underground hits “Oh Yeah” (featured in Ferris Bueller’s Day Off and The Simpsons) is a true Renaissance artist, making films and writing books; in 2013 he was the subject of a solo exhibition, Dieter Meier and the Yellow Years, at The Watermill Center in Long Island. His music is a combination of Brecht, Weill and Leonard Cohen. Though raised in a banking family, he has redeemed himself by being a poker player, an activist and now runs an organic sheep farm with the decidedly Swiss viticulture in Argentina.
His presence in New York is due to the generosity of Zürich Meets New York: A Festival of Swiss Ingenuity, a week of events highlighting the contemporary relevance of visionary movements and ideas born in Zurich and their impact on American culture. It is all building up to the 100th anniversary of the Dada movement and Zurich’s role as a 21st century hub for artist and scientific innovation.
One of nice surprises of this festiva.l besides falling in love with Dieter. was sitting next to a real live Nobel Prize Winner… Kurt Wüthrich, the 2002 winner for chemistry. Never happened at Starbucks.
A music sample: https://www.dropbox.com/sh/ym1blr908hodjov/gH7hWppnk1
At another Swiss Fest event, Elizabeth Bronfen, Professor of English and American Studies at the University of Zurich, talked about her latest book.Night Passages maps the cultural history of the night in literature and films. She was joined on the New York Film Academy stage by Anastas Michos, cinematographer of Freedomland and Mona Lisa Smiles. Unfortunately it was hard to hear her some of her serious thoughts but Michos was enlightening, sharing the artists’ approach to shooting darkness and delivering the right look for a scene. He, analyzed the film clips of Taxi Driver along with his own Freedomland and Untraceable. Moderator Ben Cohen could use a new adjective to substitute for his exhausted ‘fantastic’, though he did mention that his new film with penis in the title is soon to (ouch) come.
For a list of events, ZHNY.eventbrite.com.
Death leaves a heartache no one can heal, love leaves a memory, no one can steal.
This quote refers to both plays infused with Irish sensibility.
A lovely revival of Sea Marks has opened at the Irish Repertory Theatre. The play was written by one time television god, Gardner Mckay, star of the sixties hit Adventures in Paradise. I feel strangely close to this play as Mr. Mckay lived in my apartment in here while working on changes for its New York debut. The play won the “Los Angeles Drama Critic’s Circle Award” for Best Play in 1979.
Sea Marks tells the story of a lonely virgin fisherman (Colm Primrose) from a remote island in Ireland who falls for woman from Liverpool (Timothea Stiles) he meets at a wedding. Writing her, they develop a relationship primarily driven by his passionate prose. He speaks of life in ways foreign to urban ears and it’s his poetic voice that brings them together.
Facing his fears, he…
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Hanna Ranch Despite the Odds
If one accepts symbolism, then the idea of Mother Nature, is surely the feminine aspect of reality. And as global chaos reminds us every day, the Mother is having a fit. Our environmental urgencies are like menstrual outbursts…the damn is breaking. Some say these changes are inevitable; most think that we have toyed with the earth for too long…she’s mad as hell and not gonna take it anymore.
Hanna Ranch tells the story of a four generation cattle ranch in Colorado. These are hard- working people who really look good in cowboy hats. The Hanna family suffered when Clark, the patriarch was killed in a freak accident and leadership fell to the hands of the sons… …from the original family and a second group, the Frosts, who joined the posse when the mom, a widow, married a neighbor rancher. That’s a lot of land and a lot of fighting kids.
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notjustaboutsex 