Archive for the ‘women’s rights’ Category
Unpacking the Tensions in ‘Armand’
Armand, the film creation by Scandinavian film royalty Ingmar Bergman and Liv Ullmann’s grandson of Halfdan Ullmann Tondel is uncomfortable but offers up a feast of realizations about our lives
Elizabeth, played by the risk-taking actress Renate Reinsve (The Worst Person In the World), finds herself confronting the school board of her six-year-old son. What could such a young boy do to warrant the condemnation from the parents of another boy, his friend, and why do the principal educators though uncomfortable, still feel its their duty to accuse. The victim’s parents are at first patent with Elizabeth’s shocked response to the accusation. They are all from the same community and have history; so why would this sensitive issue be put in such a formal setting? This is where the real mystery begins.
Small towns have secrets and judgments and memories of its citizens that go back to their own student days. Elizabeth’s husband is recently deceased and the judging teachers at first want to be sensitive with her because of the loss, but Elizabeth is out there emotionally and doesn’t fall into the shaming that the system seems to need to put on her. Much is made of her laughing scene which for me was a bit long…but everything else she does is so beautifully strange and at same time, familiar, as if we are watching her and ourselves in our private spaces. She reveals herself through public through outbursts, and dancing…she is beautiful and they all want to judge her and it seems also be her or be with her. As an audience we want to condemn the condemners for their inability to probe themselves and project their fears and insecurities on the single woman… the societal witch, who is bursting with real life.
There is much to explore in an educational documentary on what is normal child play…here though we see adults acting like they did in their own childhoods, gossiping, having nosebleeds and wanting to avert responsibility.
I spoke briefly to the director wondering if he had seen the film Suddenly Last Summer, where Tennessee William”s character, Sebastian Venable, played by Julian Ugarte, is seemingly cannibalized by a culture that need pieces of him for themselves. Elizabeth’s world is like that. As the town’s actress, she serves as the vessel for all their unrequited impulses and we see how dangerous non actualization can be. Only when the truth is revealed, and the ‘children’ re draw the lines on the playground, do we experience the tension leaving our own bodies. The rain purifies and she, with Buddhist equanimity, moves on.
The director who has worked in an elementary school has much talent for showing the everyday intimate responses that is part of the human experience. He’s got the genes for it.
They Promised Her the Moon
When they go low, we go high,” are words that could have easily been spoken by Jerrie Cobb (Amanda Quaid) in Laurel Ollstein’s new play They Promised her The Moon. The play tells the relatively unknown story of mid- Western Cobb, a girl with a speech defect and a critical mother, but a dream that proved stronger than her limitations.
Cobb’s dad (John Leonard Thompson) was a pilot and after flying with him at age ten, Cobb was hooked. With his encouragement, she became pro and broke records in speed, distance and absolute altitude. Still, with so much discrimination against women pilots, she struggled to find work. When famed pilot Jackie Cochran, (Andrus Nichols), considered top female aviator in the world, created the Mercury 13 program to train female astronauts, Cobb’s luck changed. She out tested everyone including her male colleagues in the Mercury 7 program, but was not permitted to go up because women were not considered The Right Stuff. John Glenn testified against hiring women for the space program and so Russia got there first with a lesser qualified Valentina Tereshkova.
This story of strength and resilience is beautifully told in this insightful and humorous play. Cobb had to compete not only against men but her own gender; Cochran, at fifty-five was too old to be an astronaut and consciously worked against Cobb’s success. She is brittle and tough, but we understand what she had to fight against, too.
The performances are all top notch, some playing several characters. John Leonard Thompson as Cobb’s pilot father and Congressman is a quiet sensitive man and wholly believable as a father who can see a future in his daughter’s eyes. Edmund Lewis, Polly Mckie and John Russell are all terrific with a wide range.
Amanda Quaid, our pilot hero, who discovers romantic love but chucks it for the skies, is so good at bringing an awkward young woman into existence in front of our eyes. When her career takes the obvious fall it must from not being permitted to become an astronaut, she doesn’t give up…she just moves…to the Amazon where she works with tribes and was nominated for the Nobel Peace Prize in 1981.
Ms. Ollstein, an original member of Actors’ Gang in LA, has a great ear for real talk and imbues the story with sensitivity and humor.
As directed by Producing and Artistic Director of the Miranda Company, Valentina Fratti brings this too little known story beautifully to life. Graham Kindred’s set and lighting design is simply perfect.
Hopefully, this wonderful show, having run its course at St. Clement’s will soon find a new home. It deserves it.
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