Posts Tagged ‘feminism’
The Black Madonna Celebrated
by Nancy Cohen-koan

The Black Madonna is an icon of worship that can be traced back to pagan, pre – Christian times. She represents devotion to the Earth Mother, the African Goddess and to a time when people understood God to be female as well as Black. She is still revered in Italy and in New York there were no less than three churches that held worship for the Black Madonna in the East Village.
I.J. Isola, writing for the W.P.A. n 1936, noted: “The New York Black Madonna is credited by believers, with possessing the miraculous curative powers of the original (Sicily and other parts of Italy, Ethiopia, etc.), as is attested by the many votive offerings at her shrine.” Apparently, she could cure many of the parts of the body including arms, legs and breasts. Since pre-Christian times she has been the protector of gays, transgender and LGBTQ+ people, known as Femminielli in the Neapolitan Culture and Galli in Rome(where they were priests of the Phrygian goddess Cybele, or Magna Mater
Alessandra Belloni, a native Roman, studied in New York and realized that her true calling was honoring the Black Madonna through her love of Italian folk music. She learned the ancient tammorriata tradition of the Earth goddess and for 35 years has traveled the globe performing and doing research in this ancient form of empowerment. Along with her partner and fellow musician John T. La Barbera, they create a musical dance installation, as much art as sacred healing. I Giullari di Piazza, founded in 1980, specializes in medieval pilgrimage songs, Southern Italian tarantellas and devotional chants with ritual drumming. This concert celebrates the 45th anniversary of the group’s founding and features selections from its original opera, “Voyage of the Black Madonna,” which was a watershed creation for the company.

I was familiar with Alessandra before the show after watching a PBS program about buying houses in Italy, PBS series “Dream of Italy. She has a devoted following there and by the looks of the audience at St. John the Divine last Friday, one here as well. I saw many women signing up for her goddess -type classes; she infuses spirit and beauty and recognition of the female spirit. What could be bad?
In Alessandra’s show Mystic Rhythms & Sacred Chants for Seven Black Madonnas from Italy to Spain, she and her glorious troupe explore the different incarnations of the Black Madonna with ancient music, dance and stilt performance. It is a festive experience that recalls medieval street theatre, intoxicating and beautiful.
Her voice is deep and soulful and her percussion skills amazing… for this occasion, Giovannangelo de Gennaro from Puglia brought his magnificent voice… a voice perfectly suited for the wonderful acoustics of the chapel in St. John the Divine.
Graceful dancers performed wearing elaborate costumes… characters ranging from virginal maidens to the goddess who can control snakes…dancing with a real one. The Sun God on stilts moved through them, transporting all of us to another time where nature was revered and female power honored.
John la Barbera introduced a song which is based on pre-Christian notations of a melody found in Greece. He expanded on the tune and it was beautiful not only for his arrangement, but the knowledge that its origins are so ancient and yet feels so contemporary.
This magical show is a shoe in for Earth Day performances and must be included in environmental events that remind us of the power of nature and our requirement to love her and be grateful for her bounteous gifts.
Other musicians include: Mara Gerety (vocals & violin), Christa Patton(harp, oboe & recorder) and dancers, Francesco Silvano, Amaraand Mark Mindek (stilt dancer in the role of the Poet Virgil).

The troupe spends part of their time in New Jersey and Alessandra will be offering classes to the fortunate in New Jersey.
As for me, I’m dreaming to buy a place in Puglia and stay as close to the world that honors such a beautiful tradition.
For more information and future performance dates: http://www.alessandrabelloni.com
all photos by N. Cohen-koan
They Promised Her the Moon

When they go low, we go high,” are words that could have easily been spoken by Jerrie Cobb (Amanda Quaid) in Laurel Ollstein’s new play They Promised her The Moon. The play tells the relatively unknown story of mid- Western Cobb, a girl with a speech defect and a critical mother, but a dream that proved stronger than her limitations.
Cobb’s dad (John Leonard Thompson) was a pilot and after flying with him at age ten, Cobb was hooked. With his encouragement, she became pro and broke records in speed, distance and absolute altitude. Still, with so much discrimination against women pilots, she struggled to find work. When famed pilot Jackie Cochran, (Andrus Nichols), considered top female aviator in the world, created the Mercury 13 program to train female astronauts, Cobb’s luck changed. She out tested everyone including her male colleagues in the Mercury 7 program, but was not permitted to go up because women were not considered The Right Stuff. John Glenn testified against hiring women for the space program and so Russia got there first with a lesser qualified Valentina Tereshkova.
This story of strength and resilience is beautifully told in this insightful and humorous play. Cobb had to compete not only against men but her own gender; Cochran, at fifty-five was too old to be an astronaut and consciously worked against Cobb’s success. She is brittle and tough, but we understand what she had to fight against, too.
The performances are all top notch, some playing several characters. John Leonard Thompson as Cobb’s pilot father and Congressman is a quiet sensitive man and wholly believable as a father who can see a future in his daughter’s eyes. Edmund Lewis, Polly Mckie and John Russell are all terrific with a wide range.
Amanda Quaid, our pilot hero, who discovers romantic love but chucks it for the skies, is so good at bringing an awkward young woman into existence in front of our eyes. When her career takes the obvious fall it must from not being permitted to become an astronaut, she doesn’t give up…she just moves…to the Amazon where she works with tribes and was nominated for the Nobel Peace Prize in 1981.
Ms. Ollstein, an original member of Actors’ Gang in LA, has a great ear for real talk and imbues the story with sensitivity and humor.
As directed by Producing and Artistic Director of the Miranda Company, Valentina Fratti brings this too little known story beautifully to life. Graham Kindred’s set and lighting design is simply perfect.
Hopefully, this wonderful show, having run its course at St. Clement’s will soon find a new home. It deserves it.
Bullies Beware: The Rebirth of the Feminine is Almost Here

There has been no shortage of shocking news during March’s Month of Madness. Despite the UN calling for a Happy Day this past Friday, it has not been happy for many. After two weeks of vigorous seminars and panels on the plight of violence against women across the globe at the Conference on the Status of Women, where all sorts of inspiring efforts are being put into action to lessen the physical and psychic damage on the feminine, Friday’s news brings yet another story of unspeakable cruelty towards an innocent.
Some of Kabul’s male citizens decided to play morality police and beat and burned alive a 27 year old woman who was accused of burning the Koran. Apparently, the victim may have had learning issues, not that that matters. It is the men who committed such barbarism who have issues…they are all completely mad.
That these men have cell phones and are leading supposed modern lives committed this atrocity in the diplomatic zone of Kabul, where so much international monies have gone to aid Afghanistan is shocking. That a religious leader defends this murder…beyond words.
As my cosmologist friends tell me, a solar eclipse is a force majeure, and if this act, on the last official day of the CSW and the eclipse, doesn’t bode for a rapid shift into another type of consciousness, then when will it ever come?
Nigerians girls abducted, women raped daily, elders tortured as witches, gay and transgender people persecuted…and our Mother Earth, trying to hold it together as she too has been decimated by the greed of capitalism and so- called progress.
We have plenty of statistics…one out of three women have experienced sexual violence and so forth.. IAWRT, The International Association of Women in Radio and Television’s brilliant reporting at the CSW on the percentages of women working in media…who’s delivering the stories that really pertain to women’s needs? The facts are presented…now let’s get on with changing the story.
The Lacanian therapist from France started her talk by describing her own burgeoning sense of herself as a youngster when her mother constantly told her early ‘she wasn’t good enough, she was a girl.’ The power of language to perpetuate myths in societies where patriarchy has gone amok.
As we come to the great Spring religious holidays, Easter, Passover, … let’s think back on traditions that predated Judaism and Christianity, taking place in the Middle East, Asia and Europe. Women’s birth was revered and honored, symbolized by eggs and blood. According to the archaeomythology (https://lefthandofeminism.wordpress.com/tag/easter/), decorated goose eggs were found in graves dating back to the 4th century and Persians celebrate No-rooz with red colored eggs 3000 years ago. The pagans celebrate Ostara, the uterus, life-giving, estrus, Easter, eggs… you do the math.
So can we make this a time of re-birth, celebrate a re-awakening of the feminine in all of us, where the masculine allies itself with the feminine instead of in competition and destruction. It takes real courage to wake up from a sleep like the one our consciousness has been in for so long. It is enough suffering. Dayenu.
