Posts Tagged ‘history’
The Black Madonna Celebrated
by Nancy Cohen-koan

The Black Madonna is an icon of worship that can be traced back to pagan, pre – Christian times. She represents devotion to the Earth Mother, the African Goddess and to a time when people understood God to be female as well as Black. She is still revered in Italy and in New York there were no less than three churches that held worship for the Black Madonna in the East Village.
I.J. Isola, writing for the W.P.A. n 1936, noted: “The New York Black Madonna is credited by believers, with possessing the miraculous curative powers of the original (Sicily and other parts of Italy, Ethiopia, etc.), as is attested by the many votive offerings at her shrine.” Apparently, she could cure many of the parts of the body including arms, legs and breasts. Since pre-Christian times she has been the protector of gays, transgender and LGBTQ+ people, known as Femminielli in the Neapolitan Culture and Galli in Rome(where they were priests of the Phrygian goddess Cybele, or Magna Mater
Alessandra Belloni, a native Roman, studied in New York and realized that her true calling was honoring the Black Madonna through her love of Italian folk music. She learned the ancient tammorriata tradition of the Earth goddess and for 35 years has traveled the globe performing and doing research in this ancient form of empowerment. Along with her partner and fellow musician John T. La Barbera, they create a musical dance installation, as much art as sacred healing. I Giullari di Piazza, founded in 1980, specializes in medieval pilgrimage songs, Southern Italian tarantellas and devotional chants with ritual drumming. This concert celebrates the 45th anniversary of the group’s founding and features selections from its original opera, “Voyage of the Black Madonna,” which was a watershed creation for the company.

I was familiar with Alessandra before the show after watching a PBS program about buying houses in Italy, PBS series “Dream of Italy. She has a devoted following there and by the looks of the audience at St. John the Divine last Friday, one here as well. I saw many women signing up for her goddess -type classes; she infuses spirit and beauty and recognition of the female spirit. What could be bad?
In Alessandra’s show Mystic Rhythms & Sacred Chants for Seven Black Madonnas from Italy to Spain, she and her glorious troupe explore the different incarnations of the Black Madonna with ancient music, dance and stilt performance. It is a festive experience that recalls medieval street theatre, intoxicating and beautiful.
Her voice is deep and soulful and her percussion skills amazing… for this occasion, Giovannangelo de Gennaro from Puglia brought his magnificent voice… a voice perfectly suited for the wonderful acoustics of the chapel in St. John the Divine.
Graceful dancers performed wearing elaborate costumes… characters ranging from virginal maidens to the goddess who can control snakes…dancing with a real one. The Sun God on stilts moved through them, transporting all of us to another time where nature was revered and female power honored.
John la Barbera introduced a song which is based on pre-Christian notations of a melody found in Greece. He expanded on the tune and it was beautiful not only for his arrangement, but the knowledge that its origins are so ancient and yet feels so contemporary.
This magical show is a shoe in for Earth Day performances and must be included in environmental events that remind us of the power of nature and our requirement to love her and be grateful for her bounteous gifts.
Other musicians include: Mara Gerety (vocals & violin), Christa Patton(harp, oboe & recorder) and dancers, Francesco Silvano, Amaraand Mark Mindek (stilt dancer in the role of the Poet Virgil).

The troupe spends part of their time in New Jersey and Alessandra will be offering classes to the fortunate in New Jersey.
As for me, I’m dreaming to buy a place in Puglia and stay as close to the world that honors such a beautiful tradition.
For more information and future performance dates: http://www.alessandrabelloni.com
all photos by N. Cohen-koan
Mrs. Stern Wanders the Prussian State Library

I don’t think we’ve ever seen Stockhausen syndrome quite like the relationship between philosopher Hannah Arendt and her Nazi jailor Karl in Jenny Lyn Bader’s Mrs. Stern Wanders the Prussian State Library. Arendt, as played by a very effecting Ella Dershowitz, has a mind like quicksilver. As soon as she observes jailor Karl’s ego needs to pull rank, she defers and reigns in her erudition in exchange for survival. Karl, once somewhat of a student himself, is in awe of her and we see his struggles to follow orders clash with his own instinctual curiosity. What can a good Nazi do in the hands of such a fine German mind, never mind that she’s a Jew?
Her crime it seems was to have been seen copying images of antisemitism from papers for a group who sends them abroad to advertise what’s really going on in Germany. She is aghast at hearing this…her pure research is what took her to the library and nothing else.
Hannah must balance a nature in pursuit of truth with a writer’s talent for bending the narrative in order to save her own skin. After all, she certainly was not uninterested in Jewish issues and Zionism as she tries to convince Karl. In fact, quite the contrary. Her deception is so sweet…she has an authentic love of German thinking and wouldn’t think of involving her ex-lover Heidegger for help. For every turn Karl makes to accuse her of a misdeed, she does a sharp right or left turn, leaving him in the dust. If she had any crime, it was neglecting her own research to hunt around through the files for a recipe for her mother’s favorite cake. The care and intelligence with which she describes the ingredients and making of the dessert is the same thoroughness she puts into her political theories.
Hannah has one visitor, Drew Hirshfeld, whose character Erich is symbolic of so many Jews who could not believe that their beliefs that they were true Germans meant nothing to the Nazis. He is a lawyer and has heard of her plight through the inner circles. Hannah is surprised that he has come or else pretends. Either way she is not excited to have him represent her, neither wanting her affiliation with anything Zionistic to be recognized nor believing he can do anything to help. He has the shadow of death all over him as he speaks of other lawyers who have been brought down while still trying to convince her and mostly himself that he will survive.
The environment is frightening, yet the humorous banter and cigarette sharing become between Karl and Hannah, gives relief. Through it we feel a razor thin light of hope. Karl has a child of his own and is not unfeeling to Hannah’s concern for her mother also imprisoned. Something stirs between them…perhaps it is their love of dancing or the way Hannah finishes the German folk poem Karl had begun reciting; both touchstones of their common humanity.
The acting is terrific in this play and the simple prison cell set serves as a blank slate for the plethora of ideas that playwright Bader make dance within the walls of the cell.
The play produced by Luna Stage is running at 59 East 59th Theaters until November 10th.
Never Look Away…beauty in truth
The film The Lives of Others, deals with the lives of East Berliners, separated by a wall and freedom. The Stasi – driven paranoia never permitted peace of mind, yet people lived with dignity as best they could. Even the Stasi operative reveals a human side. Director and writer Florian Henckel von Donnersmarck thrills again and even more so, with his new film, Never Look Away.

It is no surprise that Donnersmarck studied philosophy at Oxford. Every character thinks in this film… weighing their choices, confronting their destinies and we as audience, have the pleasure of experiencing this along with them.
Starring Tom Schilling and Sebastian Koch, Never Look Away spans three eras of German history from WWII to the Berlin Wall. Young art student Kurt (Schilling) falls in love with the daughter (Paula Beer) of an ex Nazi doctor (Koch) who disapproves of his child’s choice of partner and works at destroying Kurt’s self-esteem and their relationship. What they don’t know is that their lives are intricately interwoven through a crime that the Professor committed during the height of the Nazi regime.
This is a film that takes its time. When the allied bombs begin to fall, we see a montage… one family, separated through war, soldiers on the field, a young woman in an extermination camp (Saskia Rosendahl)…all of a family, disappearing in the ways wars make lives disappear. The music by Max Richter delivers the power and the futility of this most horrific of human endeavors.
Kurt, in art school, cannot immediately produce. We see the artist’s process as he struggles between expression and denial. It is not until his subconscious awakens through the help of a committed teacher and his own acceptance of the truth, that he is able to say something from his heart.
The Nazi Professor remains arrogant throughout. He is a perfect example of the blindness of racism — he sees neither his daughter’s happiness nor her pain nor is able to acknowledge his deeds. He is a man of such hubris that when leaving East Berlin, he doesn’t join his cronies in South America, but carries on his life in the West. This is frightening indeed. He is more machine than human and is played brilliantly by Koch.
Never Look Away is a powerhouse of a film. Honor, praise and gratitude bestowed on those who made this part of our human history so compelling.
produced by Jan Mojito Quirin Berg Max Wiedemann
Christiane Henckel von Donnersmarck
